Revista de humanidades (Santiago. En línea)
type: channel
description: Revista de Humanidades is included in the databases CLASE (Latin American Citations in Social Sciences and Humanities), Latindex directory, Redalyc, Erih Plus, MLA, and SCOPUS
publisher: Universidad Andrés Bello
language: en
publication name: Revista de humanidades (Santiago. En línea)
issn: 0717-0491
copyright: You are free to: Share — copy and redistribute the material in any medium or format The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms: Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. NonCommercial — You may not use the material for commercial purposes. NoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits. Notices: You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.
items: Presentation: Humanities, Open Science, Gender and Terrioriality
items: Document from animation. Fantasy, memory and trauma in Waltz with Bashir by Ari Folman
items: Poesía y prosa. María Monvel. Editado por María Inés Zaldívar Ovalle
items: Narcocultura: Masculinidad precaria, violencia y espectáculo.
items: José Ramón Andaur y su relato del Combate Naval de Punta Gruesa (21 de mayo de 1879)
items: Individual bodies, collective bodies: performativity and gender in Samba Da Costa
items: From words to drawings. The building of the School of Kindergarten No. 30 of Santiago in 1870.
items: The perfect tragedy: ontology of life and transcendental narrativity
items: Happy Ungouvernability: Ojo líquido, Quebradas. La cordillera en andas y Esta parcela by Guadalupe Santa Cruz
items: Trash, Image, and Community: The Overflowing and Enclosed Future
items: On heroes, hesitators and cowards: cultural repertoire and heroic models in Adiós al séptimo de línea (1955-1959)
items: Between urbanity and urbanism: the modelling of walking and urdan strolling in nineteenth-Century Santiago
items: Family Secrets: Casa de Campo by José Donoso, La traición de Rita Hayworth by Manuel Puig, Excesos by Mauricio Wacquez and some Short Stories of La Furia by Silvina Ocampo
items: Kant on Boredom and the Duty to Make Use of Time
items: Exeundum est e statu naturali: the lex permissiva and the duty to abandon the state of nature in Kant's Doctrine of Right.
items: Commentary on chapter III: The Deontological Concept of Right and its Implications with Regard to a Theory of Duty
items: Kant: On Illusion as a Form of Error
items: Do things in themselves ground appearances? Against a General Causal Reading
items: 300 Years Since the Birth of Emmanuel Kant: Philosophical Reflections in the 21st Century Preguntar a ChatGPT
items: La ética del cuidado y novelas postcolonial: dos lecturas con cuidado
items: Helena (1915), by Delie Rouge, or 'The Explosion of a Nihilist Bomb': Debates Surrounding a Novel Read in the Reading Circle
items: After the 11th, Before 'The Ten': Christian Democratic Unionism and the First Year of the Dictatorship in Chile, 1973–1975
items: Cinema with the People and Indigenous Videos: Continuities or ruptures?
items: The Intellectual and Society: Editorial and Material Drifts in the Latin American New Left During the 60s
items: Baile Chino: pilgrimage and building the nation in Northern Chile
items: Albert Camus and the Phenomenological Description: A Literary-Phenomenological Exploration of the Question of Existential Meaning
items: The return of Sisyphus. Catastrophe and dictatorship in Chile o muerte (1974) by Germán Marín and Armindo Cardoso
items: On the language of the popular revolt of 2019: possibilities of a new (and even necessary) discourse
items: Devotees of heretical hagiography: A reading of popular religiosity in Ruido (2012) by Álvaro Bisama
items: THINKING ABOUT THE FEMININE. PUBLICATIONS AND CONFERENCES ON FEMINISM, CIVIL AND POLITICAL RIGHTS OF THE ACADEMICS OF THE CATHOLIC UNIVERSITY 1900-1940

Presentation: Humanities, Open Science, Gender and Terrioriality
type: item
subject: Presentation
  topic: section
creator: Nicolas Roman Gonzalez
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 9
ending page: 11
doi: 10.53382/issn.2452-445X.946

Document from animation. Fantasy, memory and trauma in Waltz with Bashir by Ari Folman
type: item
description: This article aims to analyze *Waltz with Bashir* from the perspective of cultural studies on memory and trauma, using a methodology based on textual analysis. Our research hypothesis is based on the idea that Ari Folman's animated documentary proposal accepts the legitimacy of fiction to construct metaphors that reflect the trauma of events that are not remembered accurately. To support this idea, a narratological analysis is proposed, focusing on those dreamlike scenes that underpin the film's discourse around the problem of non-existent images. The main conclusion is that the constructs of fiction are validated to the extent that, although they do not refer to entirely truthful events, they are legitimized through the testimony of survivors. Beyond this fact, although it is not the main objective of the film, which focuses on recreating non-existent images of the Sabra and Shatila massacre, the work ultimately reveals the filmmaker's own trauma as the final representation.
subject: Articles
  topic: section
subject: Animation
  topic: keywords
subject: Documentary
  topic: keywords
subject: Non-Fiction
  topic: keywords
subject: Trauma
  topic: keywords
subject: Memory
  topic: keywords
subject: Ari Folman
  topic: keywords
creator: Álvaro Martín Sanz
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 393
ending page: 426
doi: 10.53382/issn.2452-445X.943

Poesía y prosa. María Monvel. Editado por María Inés Zaldívar Ovalle
type: item
subject: Reviews
  topic: section
creator: Melissa Barrera
creator: Daniella Muñoz
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 501
ending page: 506
doi: 10.53382/issn.2452-445X.942

Narcocultura: Masculinidad precaria, violencia y espectáculo.
type: item
subject: Reviews
  topic: section
creator: Franco Fuentes
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 497
ending page: 500
doi: 10.53382/issn.2452-445X.941

José Ramón Andaur y su relato del Combate Naval de Punta Gruesa (21 de mayo de 1879)
type: item
subject: Documents
  topic: section
creator: Patricio Ibarra
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 471
ending page: 493
doi: 10.53382/issn.2452-445X.940

Individual bodies, collective bodies: performativity and gender in Samba Da Costa
type: item
description: This article examines the case of Samba Da Costa, a collective of women musicians who perform samba de raíz in Valparaíso, through Erika Fischer-Lichte’s (2011) performative analysis model and her approach to materialities: corporeality, spatiality, and sonority. Employing a methodology that includes live performance observation, a group interview, and musical and performative analysis from a gender perspective, the study argues that Samba Da Costa’s musical practices challenge the sexual division of labor in music while simultaneously expanding the horizons of possibility for collective modes of corporeality and sonority.
subject: Articles
  topic: section
subject: Women
  topic: keywords
subject: Body
  topic: keywords
subject: Samba
  topic: keywords
subject: Roda
  topic: keywords
subject: Performance
  topic: keywords
subject: Gender
  topic: keywords
creator: Laura Jordán
creator: Paulina Bronfman
creator: Kirky Mercado
creator: Gloria Cáceres
creator: Pamela Soto
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 427
ending page: 468
doi: 10.53382/issn.2452-445X.939

From words to drawings. The building of the School of Kindergarten No. 30 of Santiago in 1870.
type: item
description: The article addresses the topic of school architecture in Chile in the 19th century, when most schools operated in houses adapted for that purpose. In 1870, a specific building was built for the School of Kindergarten No. 30 of Santiago, which is the object of study. The methodology used is historical research based on primary and secondary sources, which serves as the basis for a drawn reconstruction of the building that no longer exists and for which no images remain. The drawn reconstruction shows that the building had architectural features that are still considered important in education. The building was an example of school architecture that reflected the political and pedagogical ideas of the time. It is concluded that the Kindergarten School No. 30 of Santiago was a milestone in the history of education in Chile. This building was an example of the pedagogical ideas that were emerging at the time, and its design remains relevant today.
subject: Articles
  topic: section
subject: History of Chile
  topic: keywords
subject: School Architecture
  topic: keywords
subject: XIXth Century
  topic: keywords
subject: School of Kinder Garten
  topic: keywords
creator: Hugo Mondragon
creator: Cristóbal Molina Lorca
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 365
ending page: 392
doi: 10.53382/issn.2452-445X.938

The perfect tragedy: ontology of life and transcendental narrativity
type: item
description: This paper aims to amplify the hermeneutic paradigm towards a naturalistic theoretical model, rooted on Aristotle´s philosophy, which explains movement in terms of impulse and efficiency, but also approaches the phenomenon of life in terms of its dramatic condition: temporal, teleological, holistic and practical or self-referential; a model which allows not only the understanding of active life, but also the generation of self-understanding and self-knowledge mechanisms for that life that, every time, is my own life, where I put my existence at stake, like tragic characters do.
subject: Articles
  topic: section
subject: ontology
  topic: keywords
subject: praxis
  topic: keywords
subject: mimesis
  topic: keywords
subject: tragedy
  topic: keywords
creator: Iván de Los Ríos
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 337
ending page: 363
doi: 10.53382/issn.2452-445X.937

Happy Ungouvernability: Ojo líquido, Quebradas. La cordillera en andas y Esta parcela by Guadalupe Santa Cruz
type: item
description: The following article is a reading of the books Quebrada. Las cordilleras en andas (2006), Ojo líquido (2011), and Esta parcela (2015) by the writer and visual artist Guadalupe Santa Cruz. We are interested in exploring the impolitical character in her work through a poetics of the stain, the garden, drift, and its écart. This impolitical character, from its reflective, scriptural, and untimely thickness, unfolds an innovative and radical view regarding issues that are specific to Chilean literature and its writing field. For example, in Esta parcela, her latest book, published posthumously, we seek to ponder, between death and writing, the cadence of what is brief and what is casual; in Quebrada. Las cordilleras en andas, attention is paid to what operates its own epoché throughout the Chilean landscape, where “something happens, corrodes, fails, or interrupts”; while in Ojo líquido, the city, the violence, and “the vastness” that is done to Santiago is written to correct its muddle.
subject: Articles
  topic: section
subject: Poetics
  topic: keywords
subject: Writting
  topic: keywords
subject: Chilean Dictatorship
  topic: keywords
subject: City
  topic: keywords
subject: Chilean Literature
  topic: keywords
subject: Guadalupe Santa Cruz
  topic: keywords
creator: Nadia Prado
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 271
ending page: 312
doi: 10.53382/issn.2452-445X.936

Trash, Image, and Community: The Overflowing and Enclosed Future
type: item
description: The article analyzes the cinematic representation of trash issues and their impact on the community, highlighting their origins in daily human activities, particularly consumption and inadequate waste management. These actions not only influence the present but also pose a threat to society's future. Examined through Rancière's concept of "imageneity," this portrayal illustrates the adverse effects of improper waste disposal, presenting a questionable image of humanity regarding this issue, while also providing a basis for critical reflection.
subject: Articles
  topic: section
subject: Trash
  topic: keywords
subject: Community
  topic: keywords
subject: Image
  topic: keywords
subject: Future
  topic: keywords
creator: Luis Valenzuela
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 313
ending page: 335
doi: 10.53382/issn.2452-445X.935

On heroes, hesitators and cowards: cultural repertoire and heroic models in Adiós al séptimo de línea (1955-1959)
type: item
description: The present text examines the models of heroism represented in the novel saga Adiós al séptimo de línea (1955-1959) by the Chilean author Jorge Inostrosa, aiming to determine the continuities and ruptures it establishes regarding the cultural repertoire that constitutes the Chilean nationalist imaginary stemming from the War of the Pacific (1879-1884). To achieve this, three levels of signification about the representation of heroism in the saga are identified and described through a sociosemiotic analysis of the narrative sign. The analysis concludes that the narrative saga interprets the nationalist cultural repertoire in a polyphonic manner, offering a complex view of the heroic model by highlighting its possibilities, limits, and contradictions. This can be linked to the particular conditions of its historical context of production and reception.
subject: Articles
  topic: section
subject: Pacific War
  topic: keywords
subject: Repertoir
  topic: keywords
subject: Heroe
  topic: keywords
subject: Jorge Inostroza
  topic: keywords
subject: Historical Novel
  topic: keywords
creator: Eduardo Aguayo
creator: Carlos Véliz
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 237
ending page: 269
doi: 10.53382/issn.2452-445X.934

Between urbanity and urbanism: the modelling of walking and urdan strolling in nineteenth-Century Santiago
type: item
description: The article explores the regulations and ways of walking in Santiago, Chile between 1850 and 1910, understanding this activity as a fundamental part of the emergence and consolidation of modern urbanity and early urban planning. These two elements were key components in the disposition and control of the bodies that most concerned the interests of the nation-state in formation: the citizen and urban bodies. We propose that walking, as an activity (either for practical reasons or as a pastime), demonstrates new forms of understanding how to behave in public spaces in which decency, civility and city planning were mixed. To achieve this aim, we use diverse manuals of courtesy, Benjamín Vicuña Mackenna’s texts focusing on the urban reform of Santiago and other witness accounts of the era.
subject: Articles
  topic: section
subject: Civility
  topic: keywords
subject: City planning
  topic: keywords
subject: Walking
  topic: keywords
subject: History of Latin America
  topic: keywords
subject: XIX Century
  topic: keywords
creator: Natalia López Rico
creator: Camila Gatica Mizala
creator: Patience A. Schell
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 195
ending page: 235
doi: 10.53382/issn.2452-445X.933

Family Secrets: Casa de Campo by José Donoso, La traición de Rita Hayworth by Manuel Puig, Excesos by Mauricio Wacquez and some Short Stories of La Furia by Silvina Ocampo
type: item
description: This article proposes a revision of the work of four authors – Casa de Campo by José Donoso, La traición de Rita Hayworth by Manuel Puig, Excesos by Maurico Wacquez, and story “El goce y la penitencia” by Silvina Ocampo– to analyze the idea of the family secret. The worlds portrayed in these writings show family systems crossed by secrets, which articulate both the coexistence between their members and also the plot of the narratives. In this sense, the family secret is not only understood as a topic that determines the story, but also as an articulating center of writing. The comparative perspective at these works by two Chilean and two Argentine authors, published between the years 1960 and the end of the 1970s, reveals the secret in terms of theme and structure of the stories, thus proposing a certain look at the logic of the literary writing itself
subject: Articles
  topic: section
subject: Secreto
  topic: keywords
subject: José Donoso
  topic: keywords
subject: Manuel Puig
  topic: keywords
subject: Silvina Ocampo
  topic: keywords
subject: Mauricio Wacquez
  topic: keywords
creator: Andrea Kottow
creator: Ana Traverso
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 161
ending page: 194
doi: 10.53382/issn.2452-445X.932

Kant on Boredom and the Duty to Make Use of Time
type: item
description: This work deals with Kant’s treatment of the phenomenon of boredom in his Anthropology from a Pragmatic Point of View. In this sense, it should be recognized that there is no main discussion among contemporary interpreters in this respect, since they all agree on the negative character of the pain that is proper to boredom and its intimate relationship with the temporal dimension. However, such interpreters have not noticed the relation between boredom and the importance of taking advantage of the time one has while living in the development of one’s abilities, whether bodily or spiritual, as a duty in the pragmatic sense intimately linked to the phenomenon of boredom.
subject: Dossier
  topic: section
subject: Kant
  topic: keywords
subject: Boredum
  topic: keywords
subject: Duty
  topic: keywords
subject: Time
  topic: keywords
subject: Activity
  topic: keywords
creator: Martín Ignacio Molina Suárez
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 127
ending page: 157
doi: 10.53382/issn.2452-445X.931

Exeundum est e statu naturali: the lex permissiva and the duty to abandon the state of nature in Kant's Doctrine of Right.
type: item
description: In this article I discuss Christoph Horn's interpretation of Kant's lex permissiva from his Doctrine of Right found in Horn's book Nichtideale Normativität. Horn interprets it as a law that dispenses from compliance with the general principles of law. I will argue that this interpretation is unacceptable because it forces us to understand property and other private institutions as founded on exceptions to such general principles. I will also argue that adopting Horn's concept of lex permissiva, nothing is gained in order to explain the duty to abandon the state of nature.
subject: Dossier
  topic: section
subject: Kant
  topic: keywords
subject: Lex Permissiva
  topic: keywords
subject: Horn
  topic: keywords
subject: Property Right
  topic: keywords
subject: Natural Rights
  topic: keywords
creator: Felipe Schwember
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 97
ending page: 126
doi: 10.53382/issn.2452-445X.929

Commentary on chapter III: The Deontological Concept of Right and its Implications with Regard to a Theory of Duty
type: item
description: In this work the author analyzes chapter III of Christoph Horn’s book Nichtidelale Normativität. Against Horn’s negative position towards the possibility of basing human rights on Kant’s philosophy of right, it will be argued, following Otfried Höffe’s line of thought and relying on Habermas’ thought, that by means of native right to freedom Kant does indeed ground sufficiently the existence of first-generation human rights.
subject: Dossier
  topic: section
subject: Kant
  topic: keywords
subject: Horn
  topic: keywords
subject: Hoffe
  topic: keywords
subject: Rights
  topic: keywords
subject: Freedom
  topic: keywords
subject: Human Rights
  topic: keywords
creator: Miguel González Vallejos
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 73
ending page: 95
doi: 10.53382/issn.2452-445X.928

Kant: On Illusion as a Form of Error
type: item
description: This article seeks to study the scope of the expression ‘error’ and ‘appearance’ in Kant’s ‘Critique of Pure Reason’ (KrV) which, in my opinion, admit precisions that literature - with some exceptions - does not usually make and which allow us to better frame not only the scope of the KrV project but also to assess its connections with subsequent philosophical developments. The aim of this article is to account for the at least two levels of ‘appearance’ at play in the Dialectic and to present the systematic relevance of this difference. This will allow, as a coda, the presentation of a perspective that could serve to better assess the productive rather than just critical reception of Kant’s work in Hegel.
subject: Dossier
  topic: section
subject: Kant
  topic: keywords
subject: Trascendental Philosophy
  topic: keywords
subject: Dialectic
  topic: keywords
subject: Error
  topic: keywords
subject: Appearance
  topic: keywords
creator: Luis Placencia
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 48
ending page: 71
doi: 10.53382/issn.2452-445X.927

Do things in themselves ground appearances? Against a General Causal Reading
type: item
description: In the current discussion of transcendental idealism, the “metaphysical turn” widely assumes that the proposition “things in themselves ground appearances” is a general description of causal interaction that every interpretation must explain. This paper challenges this stance, arguing that such a claim rests on a decontextualized reading of Kant's text. By treating texts as a continuum without specific context, crucial differences in terminology are ignored, leading to erroneous univocal interpretations. To illustrate this, I will use the cases of Watkins and Rosefeldt, showing how their reading disregards textual specificities. Next, I will address a possible objection derived from the text of ÜE 08:215. I will conclude by highlighting the advantages of my analysis: first, the necessity of analyzing the proposition within specific textual contexts; second, the possibility of distinguishing two strata in the Critique of Pure Reason (KrV) regarding the use of the critical distinction and the term "thing in itself." This allows for a more precise approach to interpretive problems related to transcendental idealism and the critical distinction between appearance and thing in itself.
subject: Dossier
  topic: section
subject: Kant
  topic: keywords
subject: Trascendental idealism
  topic: keywords
subject: Metaphysical turn
  topic: keywords
subject: Metaphysics
  topic: keywords
creator: Nicolás Silva Sepúlveda
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 17
ending page: 47
doi: 10.53382/issn.2452-445X.925

300 Years Since the Birth of Emmanuel Kant: Philosophical Reflections in the 21st Century Preguntar a ChatGPT
type: item
subject: Presentation
  topic: section
creator: Luis Placencia
creator: Ruth Espinosa
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2025-08-01
publication date: 2025-08-01
starting page: 15
ending page: 16
doi: 10.53382/issn.2452-445X.916

La ética del cuidado y novelas postcolonial: dos lecturas con cuidado
type: item
subject: Reviews
  topic: section
creator: Antonia Kuscevic
creator: Antonia Campillai
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by-nc-nd/4.0
date: 2025-01-25
publication date: 2025-01-25
starting page: 625
ending page: 628
doi: 10.53382/issn.2452-445X.888

Helena (1915), by Delie Rouge, or 'The Explosion of a Nihilist Bomb': Debates Surrounding a Novel Read in the Reading Circle
type: item
subject: Documents
  topic: section
creator: Joyce Contreras Villalobos
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by-nc-nd/4.0
date: 2025-01-25
publication date: 2025-01-25
starting page: 611
ending page: 621
doi: 10.53382/issn.2452-445X.887

After the 11th, Before 'The Ten': Christian Democratic Unionism and the First Year of the Dictatorship in Chile, 1973–1975
type: item
description: From the study of unpublished documents of the Christian Democratic Party, the political practices of its main union leaders and activists are analyzed, between 1973 and 1974, specifically between the end of Allende's government and the Popular Unity, and during the first year of the Dictatorship in Chile. It is proposed that this group of DC trade unionists, together with other leaders sympathetic to the Military Junta, tried to become an independent trade union referent, with respect to the Dictatorship and also respect to the rank and file workers, seeking to fill the vacuum left by the suppression of the CUT and the workers' left, and to increase their influence with respect to the State. This was done mainly through two maneuvers: the attempt to build a new trade union center, and support for the military junta at the annual meeting of the International Labor Office in Geneva. In this way, the DC trade unionism, before moving to the opposition to the dictatorship, tried a way of collaboration and dialogue with it, which was unsuccessful.
subject: Articles
  topic: section
subject: Unionism
  topic: keywords
subject: Chilean Dictatorship
  topic: keywords
subject: Christian Democratic Party
  topic: keywords
subject: ILO
  topic: keywords
creator: Luis Thielemann Hernández
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by-nc-nd/4.0
date: 2025-01-25
publication date: 2025-01-25
starting page: 547
ending page: 581
doi: 10.53382/issn.2452-445X.886

Cinema with the People and Indigenous Videos: Continuities or ruptures?
type: item
description: In 1989, Jorge Sanjinés premiered The Secret Nation, considered by many to be the masterpiece of his "cinema with the people". In that same year, Jorge Sanjinés’ son, Iván Sanjinés, founded the Centro de Formación y Realización Cinematográfica Boliviano (CEFREC), which would later coordinate the Plan Nacional de Comunicación Audiovisual Indígena, an alliance of five peasant and indigenous confederations that seeks to train indigenous people in film and video making. This article proposes to examine the way in which both projects have strived to make a participatory cinema committed to the reality of indigenous peoples at different moments in Bolivian history. Differences between both projects are explored, especially those related to the use of the fictional film conventions that Jorge Sanjinés rejected.
subject: Articles
  topic: section
subject: Jorge Sanjinés
  topic: keywords
subject: CEFREC
  topic: keywords
subject: Cinema with People
  topic: keywords
subject: Indigineous Film
  topic: keywords
subject: Indigineous video
  topic: keywords
creator: Natalia Moller González
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by-nc-nd/4.0
date: 2025-01-25
publication date: 2025-01-25
starting page: 521
ending page: 546
doi: 10.53382/issn.2452-445X.885

The Intellectual and Society: Editorial and Material Drifts in the Latin American New Left During the 60s
type: item
description: The essay applies materialist hypotheses and methodologies to the study of Latin American Left intellectuals’ editorial practices during the 60s. Through an analysis of the text El intellectual y la Sociedad [The Intellectual and Society] it discusses the processes of production, circulation, and reception of print objects in a context of high polarization of the intellectual field. The article elaborates on three versions of the text by considering its medial and technical properties, linking them to the network of editorial agents involved. The essay argues that this materialist analysis allows us to deepen our knowledge of the processes of political and cultural struggle of the period, contributing to a more complex understanding of the place occupied by the Cuban intellectual scene in the Latin American geopolitical stage.
subject: Articles
  topic: section
subject: Editorial Politics
  topic: keywords
subject: Print Culture
  topic: keywords
subject: Intellectual History
  topic: keywords
subject: Cultural Polemics
  topic: keywords
subject: Intellectuals
  topic: keywords
creator: Matías Marambio
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by-nc-nd/4.0
date: 2025-01-25
publication date: 2025-01-25
starting page: 483
ending page: 519
doi: 10.53382/issn.2452-445X.884

Baile Chino: pilgrimage and building the nation in Northern Chile
type: item
description: In this research we analyze the History of The Iquique Chinese Dance in the role of two elements that we find interesting to stand out. The first one mentions the displacement of this dance to the North of Chile and its subsequent popularity in the city of Iquique. Immediately it is to empahasize that during this process two identity elements have well been combined: Chilean nationalism and the regional identity of Tarapaca. Throughout this analysis we are also interested in specifying the communicational links that have been produced between the two most important festivities in The North of Chile: Andacollo and La Tirana.
subject: Articles
  topic: section
subject: Popular religiosity
  topic: keywords
subject: Nacionalism
  topic: keywords
subject: Ethnicity
  topic: keywords
subject: Baile chino
  topic: keywords
subject: Andean dances
  topic: keywords
creator: Bernardo Guerrero
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by-nc-nd/4.0
date: 2025-01-25
publication date: 2025-01-25
starting page: 465
ending page: 481
doi: 10.53382/issn.2452-445X.883

Albert Camus and the Phenomenological Description: A Literary-Phenomenological Exploration of the Question of Existential Meaning
type: item
description: The article aims, firstly, to elucidate the appropriation that Camus makes of the phenomenological philosophy, in particular the method proper to this current, in the first cycle of his work -the cycle of the absurd- to sustain, later, that his literary production is a manifestation of certain phenomena. The focus of analysis will be specifically on The Outsider in which the absurd phenomenon is expressed literarily. In conclusion, it is argued that Camus's literary work aims to give expression to the inherent meaning of lived experiences.
subject: Articles
  topic: section
subject: Camus
  topic: keywords
subject: Phenomenology
  topic: keywords
subject: Literature
  topic: keywords
subject: Absurd
  topic: keywords
subject: El Extranjero
  topic: keywords
subject: Outsider
  topic: keywords
creator: Martín Buceta
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by-nc-nd/4.0
date: 2025-01-25
publication date: 2025-01-25
starting page: 441
ending page: 463
doi: 10.53382/issn.2452-445X.882

The return of Sisyphus. Catastrophe and dictatorship in Chile o muerte (1974) by Germán Marín and Armindo Cardoso
type: item
description: This article examines the work Chile o muerte (1974) by Germán Marín and Armindo Cardoso as an iconotext of political resistance that exposes the tensions of Chilean society in the 70's, in order to make visible the country's catastrophe around the Military coup of September 11, 1973. Chile, like Sisyphus and its fatal sentence, is stalked by ruin when a threat (re)appears in the status quo that challenges the course of the country and awakens the citizens. The plastic dimension made explicit in the photographs by Armindo Cardoso, and the plot dimension, worked on by Germán Marín, take center stage as an inter-artistic editorial project, which seeks to ward off the violence of the Pinochet dictatorship, based on a curatorship that exhibits interventionism. of which Chile was affected in the years of Popular Unity.
subject: Articles
  topic: section
subject: Chile
  topic: keywords
subject: Military Coup
  topic: keywords
subject: Dictatorship
  topic: keywords
subject: Catastrophe
  topic: keywords
subject: Chile o muerte
  topic: keywords
subject: Germán Marín
  topic: keywords
subject: Armindo Cardoso
  topic: keywords
creator: Mariela Fuentes Leal
creator: Juan D. Cid Hidalgo
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by-nc-nd/4.0
date: 2025-01-25
publication date: 2025-01-25
starting page: 401
ending page: 439
doi: 10.53382/issn.2452-445X.881

On the language of the popular revolt of 2019: possibilities of a new (and even necessary) discourse
type: item
description: The objective of this work is to analyze the content and scope of the language of the popular revolt of October 2019 in Chile, that is, of those statements that were issued and circulated during this period. For this, some ideas from Stuart Hall and Doreen Massey regarding the relationship between language and neoliberalism were used as a theoretical basis, as well as previous research on the statements of the social outbreak. As conclusions, it is proposed that the language of the revolt fostered new subjectivities and new forms of collective relationships, which to a large extent could be considered contrary to neoliberal language and practices, as well as revealed the need to accommodate diverse expressions and demands, recognizing their differences and conflicts.
subject: Articles
  topic: section
subject: Popular Revolt
  topic: keywords
subject: Chile
  topic: keywords
subject: Language
  topic: keywords
subject: Neoliberalism
  topic: keywords
subject: Subjectivity
  topic: keywords
creator: Jorge Cáceres Riquelme
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by-nc-nd/4.0
date: 2025-01-25
publication date: 2025-01-25
starting page: 375
ending page: 400
doi: 10.53382/issn.2452-445X.880

Devotees of heretical hagiography: A reading of popular religiosity in Ruido (2012) by Álvaro Bisama
type: item
description: Álvaro Bisama's novel Ruido (2012) delves into the depths of popular religiosity and its capacity to provide refuge to the most dispossessed. The figure of the seer is for our study a device, built from ruin, capable of demonstrating the terrors of a particular people that hints at the pain of an entire nation trapped by the shadows of dictatorial violence. We argue that the religious community gathered around the seer is an allegorization of the Chilean nation imagined in the novel. This article will describe the characteristics of the heretical discourse born of orphanhood and ruin. In addition to the role of women within the sectarian community led by the seer. Finally, we will describe how this type of manifestations are allowed within the national territory and how it accepts purgation as an opportune destiny.
subject: Articles
  topic: section
subject: Nation
  topic: keywords
subject: Popular religiosity
  topic: keywords
subject: Ruins
  topic: keywords
subject: Violence
  topic: keywords
subject: Alvaro Bisama
  topic: keywords
subject: Chilean Literature
  topic: keywords
creator: Valentina Albornoz
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by-nc-nd/4.0
date: 2025-01-25
publication date: 2025-01-25
starting page: 349
ending page: 373
doi: 10.53382/issn.2452-445X.879

THINKING ABOUT THE FEMININE. PUBLICATIONS AND CONFERENCES ON FEMINISM, CIVIL AND POLITICAL RIGHTS OF THE ACADEMICS OF THE CATHOLIC UNIVERSITY 1900-1940
type: item
description: This article studies the thoughts of various female academics and directors at the Catholic University of Chile through their conferences and publications. From this perspective, it will be argued that these women were inspired by feminism, initially conceived as a broad consciousness of femininity. This led them to engage in dialogues with feminist moderate currents, challenging traditional roles and the female archetype promoted by the university, while also advocating for certain civil and political rights for women.
subject: Dossier
  topic: section
subject: Feminism
  topic: keywords
subject: Feminist Consciousness
  topic: keywords
subject: Academics
  topic: keywords
subject: Catholic University of Chile
  topic: keywords
creator: Valentina Bravo Olmedo
creator: Francisca Undurraga
rights: Copyright (c) 2025 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by-nc-nd/4.0
date: 2025-01-25
publication date: 2025-01-25
starting page: 311
ending page: 346
doi: 10.53382/issn.2452-445X.878