Revista de humanidades (Santiago. En línea)
type: channel
description: The Journal of Humanities is indexed in the following databases: CLASE (Latin American Citations in Social Sciences and Humanities), Latindex, Redalyc, Erih Plus, MLA, Dialnet, DOAJ, and Scopus. All articles submitted to the journal are checked for plagiarism using Turnitin.
publisher: Universidad Andrés Bello
language: en
publication name: Revista de humanidades (Santiago. En línea)
issn: 0717-0491
copyright: Authors who publish in this journal retain their copyright and, at the same time, grant the journal the right of first publication of their work under the Creative Commons Attribution 4.0 International (CC BY 4.0) license. This license allows third parties to share, copy, redistribute, adapt, and reuse the content in any medium or format, including for commercial purposes, provided that proper credit is given to the original authorship, the source of publication is indicated, and any modifications made are clearly identified.
items: Revista de Humanidades: Gender Equality and Territorial Equity
items: Mauricio Redolés: Poetry, Music, and Memory from the Margins of the Literary Field
items: Juan Antonio Belmonte y José Lull. Astronomy of Ancient Egypt. A Cultural Perspective Suiza: Springer, 2023,
items: Woman is a Degenerate (1924)
items: “Notes on Corset Hygiene” (1905) by Ernestina Pérez: Fashion, Science, and Hygienism from the Perspective of a Chilean Woman Physician
items: The Pro-Emancipation Movement of Chilean Women (MEMCH) and the Exhibition “Woman in National Progress” (1939): Popular Education Strategies and Historical Operations for a Women’s History
items: Justice as a particularist ethical criterion in platonic philosophy
items: “Is there a perception of the Other?”. Body and expression in Ortega y Gasset
items: The Mistralian ethos: dwelling in the school
items: Nostalgia, cinism and melancolia in the Valparaíso narrative: Manuel Peña Muñoz, Álvaro Bisama and Cristián Geisse
items: Beatific and Monastic Images in the Figuration of Ruins in Two Works of José Donoso
items: Bildungsroman, Failure, and Melancholy in the Rock Novels Antipop by Patricio Jara and La Armada Invencible by Antonio Ortuño
items: Familia under Direction of Marta Brunet (1935-1939)
items: On the concept of simultaneous avant-gardes in Andrea Giunta’s texts
items: The Malaise and the Demystification of Joy: The Politics of Humor in Bello Barrio and Quién mató a Gaete by Mauricio Redolés
items: Redolés Lavanda: Affective Intermediality and Sonic Dissidence in Chilean Counterculture
items: A Poetics of Discomforts: The Punk in Mauricio Redolés
items: Avatars of the Self in Algo nuevo anterior (Recuerdos) by Mauricio Redolés: Memory, Irony, and Historical Experience
items: The autobiographical space of Mauricio Redolés: autography and heterography in Estar de la poesía o el estilo de mis matemáticas (2000)
items: Memory lies Ahead: the Transformation of Language as hope in Mauricio Redolés’s poetic-musical Production
items: New Horizons of the Revista de Humanidades: Framework and Open Science.
items: María Gabriela Huidobro Salazar. Mujeres en la historia de Chile.
items: The "Poet only knows while Writing". Interview with Mauricio Redolés
items: The graphic poster and its condition of (post)memory
items: Posthumanist drifts for alternative research: an approach to resistance during incarceration
items: The 'Art of Existing': Intuition and Singularity. Contributions to the Ethical Dimension of Heideger's Thought in Light of his Metontology
items: The Silence and the Agency of Matter
items: Sistema nervioso by Lina Meruane For a Narrative beyond the Anthropic Principle
items: Writting Trauma: Testimony and Surrealism in Reinaldo Arena's El palacio de las blanquísimas mofetas
items: The Rebellion of Ivan Karamázov. A Reflection of the Human Condition

Revista de Humanidades: Gender Equality and Territorial Equity
type: item
subject: Presentation
  topic: section
creator: Nicolás Román González
rights: Copyright (c) 2026 Nicolás Román González https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 9
ending page: 12
doi: 10.53382/issn.2452-445X.1052

Mauricio Redolés: Poetry, Music, and Memory from the Margins of the Literary Field
type: item
subject: Dossier
  topic: section
creator: Osvaldo Carvajal
rights: Copyright (c) 2026 Osvaldo Carvajal https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 15
ending page: 23
doi: 10.53382/issn.2452-445X.1051

Juan Antonio Belmonte y José Lull. Astronomy of Ancient Egypt. A Cultural Perspective Suiza: Springer, 2023,
type: item
subject: Reviews
  topic: section
creator: José Javier Martínez García
rights: Copyright (c) 2026 José Javier Martínez García https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 541
ending page: 546
doi: 10.53382/issn.2452-445X.1050

Woman is a Degenerate (1924)
type: item
subject: Documents
  topic: section
creator: Javiera Hernández Arriagada
rights: Copyright (c) 2026 Javiera Hernández Arriagada https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 509
ending page: 537
doi: 10.53382/issn.2452-445X.1049

“Notes on Corset Hygiene” (1905) by Ernestina Pérez: Fashion, Science, and Hygienism from the Perspective of a Chilean Woman Physician
type: item
description: The presentation “Apuntes sobre la higiene del corsé”, presented by Dr. Ernestina Pérez at the Second Latin American Medical Congress (Buenos Aires, 1904), offers a unique entry point into the intersection of medicine, gender, and material culture. This article analyzes her intervention through three key axes: the medical dimension of her hygienist proposal, the feminine economy surrounding the corset, and the role this garment played as a gendered technology and discursive object in shaping the female body. In both dialogue and tension with the medical discourse of her time, Dr. Pérez proposed preventive measures aimed at improving the use and manufacture of the corset—but not its elimination. Her ambivalent yet strategic perspective allows us to understand the corset not only as a functional garment
subject: Articles
  topic: section
subject: Dra. Ernestina Pérez
  topic: keywords
subject: corsé
  topic: keywords
subject: Hygienist medicine
  topic: keywords
subject: economía femenina
  topic: keywords
subject: Female economy
  topic: keywords
creator: Damaris Landeros Tiznado
creator: Andrea Robles Parada
creator: Carolina Campos Chávez
rights: Copyright (c) 2026 Damaris Landeros Tiznado, Andrea Robles Parada, Carolina Campos Chávez Campos Chávez https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 469
ending page: 505
doi: 10.53382/issn.2452-445X.1048

The Pro-Emancipation Movement of Chilean Women (MEMCH) and the Exhibition “Woman in National Progress” (1939): Popular Education Strategies and Historical Operations for a Women’s History
type: item
description: The article aims to analyze the Exhibition “Women’s Activities. Women in National Life: Their Contribution to the Political, Social, Economic, and Cultural Development of Chile”, organized by the Pro-Emancipation Movement of Chilean Women (MEMCH) in 1939. Drawing on theoretical approaches from cultural history and feminist history, it argues that the organization conceived the exhibition as a pedagogical strategy within its practices of popular education. Its goal was to disseminate its feminist discourse both within and beyond the organization, advocating for the recognition of women as social and political subjects. Through this initiative, MEMCH carried out three historical operations: a critique of the traditional historiographical narrative, the visibility of data about women in history, and a public intervention.
subject: Articles
  topic: section
subject: Feminist History
  topic: keywords
subject: Women´s Movement
  topic: keywords
subject: Chile XX Century
  topic: keywords
subject: MEMCH
  topic: keywords
creator: Claudia Montero
rights: Copyright (c) 2026 Claudia Montero https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 425
ending page: 467
doi: 10.53382/issn.2452-445X.1047

Justice as a particularist ethical criterion in platonic philosophy
type: item
description: In this paper we explore Plato's particularist conception of justice, emphasizing its link with the ideals of the common good and social order. This conception contrasts with the Plato's political emphasis since, for some interpreters of his philosophy, aspirations of citizens are relegated in accordance with demands and specialized functions that they possess. However we propose a reorientation of desire towards what is beneficial for citizen and city based on Republic IV, contrary to the alleged rupture between the internal order of the citizen and the social order, between individual aspirations and demands of the common good, conceived in terms of harmony by the Athenian philosopher in question.
subject: Articles
  topic: section
subject: Plato
  topic: keywords
subject: Ancient Philosophy
  topic: keywords
subject: Politics
  topic: keywords
subject: Ethics of Justice
  topic: keywords
creator: Estiven Valencia Marín
rights: Copyright (c) 2026 Estiven Valencia Marín https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 401
ending page: 424
doi: 10.53382/issn.2452-445X.1046

“Is there a perception of the Other?”. Body and expression in Ortega y Gasset
type: item
description: This article aims to examine the relationship between bodily circumstances and the perception of otherness in the philosophy of Ortega y Gasset, particularly in the texts Vitalidad, alma, espíritu (1924), Sobre la expresión fenómeno cósmico (1925) y La percepción del prójimo (1929). Based on the definition of the human body as an expression of radical intimacy, Ortega goes on to present the intersubjective relationship as an event that expresses a personal stratification. With this, he seeks to uphold a philosophy that conceives of otherness not from the self, the other as an analogical hypothesis or as an animated body. Through a hermeneutic exercise of the other’s body, which expresses a radically self-contained life, Ortega proposes a gestural, interpretive bodily soul of the intersubjective social world.
subject: Articles
  topic: section
subject: Circumstance
  topic: keywords
subject: Body
  topic: keywords
subject: Expression
  topic: keywords
subject: Otherness
  topic: keywords
subject: Ortega y Gasset
  topic: keywords
creator: Sergio González Araneda
rights: Copyright (c) 2026 Sergio González Araneda https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 373
ending page: 400
doi: 10.53382/issn.2452-445X.1045

The Mistralian ethos: dwelling in the school
type: item
description: The following article aims characterize the Mistralian ethos present in the experiences that Gabriela Mistral had director of the Girls High School in Punta Arenas as different experience of “living school”, and in this context, analyze characterize and propose possible forms to inhabit and establish links in school contexts, wich go beyond what we think of today as management. From this perspective, this study, through the review of historical material, proposes to problematize this experience, establishing relationships of knowledge/power between the school practices that she implemented in the Girls High School in order to determine what knowledge these are defined on, and characterize the ethos that Mistral is building as a criticism to traditional education.
subject: Articles
  topic: section
subject: Gabriela Mistral
  topic: keywords
subject: Education
  topic: keywords
subject: Educational Community
  topic: keywords
subject: Territory
  topic: keywords
subject: Ethos
  topic: keywords
creator: Jesús Lara Coronado
creator: Santiago Rodríguez
creator: Alejandro Ochoa
rights: Copyright (c) 2026 Jesús Lara Coronado, Santiago Rodríguez, Alejandro Ochoa https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 343
ending page: 372
doi: 10.53382/issn.2452-445X.1044

Nostalgia, cinism and melancolia in the Valparaíso narrative: Manuel Peña Muñoz, Álvaro Bisama and Cristián Geisse
type: item
description: This paper analyzes the affective positioning (Beasley-Murray) of three Chilean narrative works fancing the national political processes of the turning century (XX-XXI), focusing on the representation of the space and society of Valparaíso, that is, on the lived space of the city (Soja). The chronicle Ayer soñé con Valparaíso (1999) by Manuel Peña Muñoz permeates a nostalgia (Braunstein) hopeful in the recovery of the economic splendor by means of the patrimonial title and elaborates bourgeois environments where topophilia prevails (Tuan); the novel Estrellas muertas (2010) by Álvaro Bisama, with evident disenchantment in the face of unfulfilled projects, identifies with postmodern cynicism (Sloterdijk) and elaborates empty spaces (Bauman) and privatized or institutional non-places (Augé); finally, the story “¿Has visto un dios morir?” (2011) by Cristián Geisse proposes an alternative to the immobility of nostalgia and disenchantment through a melancholic praxis (Avelar) and elaborates anthropological places (Augé) or hyperplaces of popular sociability.
subject: Articles
  topic: section
subject: Valparaíso
  topic: keywords
subject: Manuel Peña
  topic: keywords
subject: Álvaro Bisama
  topic: keywords
subject: Cristian Geisse
  topic: keywords
subject: Afectos
  topic: keywords
creator: Felipe González Alfonso
creator: Ximena Figueroa Flores
rights: Copyright (c) 2026 Felipe González Alfonso, Ximena Figueroa Flores https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 319
ending page: 342
doi: 10.53382/issn.2452-445X.1043

Beatific and Monastic Images in the Figuration of Ruins in Two Works of José Donoso
type: item
description: This article examines beatific and monastic images which allow José Donoso to visualize the ruinous condition of an oligarchic space and the characters that dwell in it in El obsceno pájaro de la noche (1970) and Conjeturas sobre la memoria de mi tribu (1996). Lacerated by a form of power, the subjects mask and free themselves provisionally from such a domain. Ultimately; however, what prevails is their ruined subjection to a desacralized site.
subject: Articles
  topic: section
subject: José Donoso
  topic: keywords
subject: Obsceno pájaro de la noche
  topic: keywords
subject: Conjeturas sobre la memoria de mi tribu
  topic: keywords
subject: Ruins
  topic: keywords
creator: Andrés Ferrada Aguilar
rights: Copyright (c) 2026 Andrés Ferrada Aguilar https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 293
ending page: 318
doi: 10.53382/issn.2452-445X.1042

Bildungsroman, Failure, and Melancholy in the Rock Novels Antipop by Patricio Jara and La Armada Invencible by Antonio Ortuño
type: item
description: The article reads the novels Antipop (2016), by Chilean writer Patricio Jara, and La Armada Invencible (2022), by Mexican writer Antonio Ortuño, both of which center on their protagonists’ attempts to pursue their youthful musical ambitions amid economic and existential precarity. Situating the analysis within the history of the relationship between rock and Latin American youth cultures, this article argues that these novels can be read as examples of the Bildungsroman shaped by the narration of crisis, failure, and frustrated development.
subject: Articles
  topic: section
subject: Bildungsroman
  topic: keywords
subject: Chilean literature
  topic: keywords
subject: Mexican literature
  topic: keywords
subject: Antonio Ortuño
  topic: keywords
subject: Patricio Jara
  topic: keywords
subject: Antipop
  topic: keywords
subject: La Armada Invencible
  topic: keywords
creator: Francesco di Bernardo
rights: Copyright (c) 2026 Francesco di Bernardo https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 263
ending page: 291
doi: 10.53382/issn.2452-445X.1039

Familia under Direction of Marta Brunet (1935-1939)
type: item
description: The following article analyzes Familia magazine (1935-1939), a magazine published by Zig-Zag aimed at middle and upper class women, based on its contents and sections. Marta Brunet's management favored the circulation in the pages of the magazine of a discourse in favor of the right to paid labor outside the home, along with sections aimed at mothers and wives. This defense of women's work was displayed in written contents (columns, articles, news) and visual records. In this context, it is proposed that this intervention by Brunet managed to nuance the contents of a women's magazine and exhibited an imaginary of a modern woman anchored in the image of the employee who fulfills administrative tasks.
subject: Articles
  topic: section
subject: Marta Brunet
  topic: keywords
subject: Familia Magazine
  topic: keywords
subject: Women’s Magazine
  topic: keywords
subject: Work
  topic: keywords
subject: Zig Zag
  topic: keywords
creator: Claudia Darrigrandi
rights: Copyright (c) 2026 Claudia Darrigrandi https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 223
ending page: 262
doi: 10.53382/issn.2452-445X.1038

On the concept of simultaneous avant-gardes in Andrea Giunta’s texts
type: item
description: This article focuses on the concept of simultaneous avant-gardes developed by Andrea Giunta, an Argentine art historian and curator. Firstly, the theoretical foundation of this concept is explored, delineating its evolution and formation. Subsequently, three key aspects are proposed to define simultaneous avant-gardes: the temporal dimension, geopolitics, and visual language, elements that allow us to comprehend the complexity and breadth of this concept. Finally, a critique of the concept of simultaneous avant-gardes is presented, considering certain conceptualizations of the avant-garde and the center-periphery dynamics, which are fundamental to understanding its approach.
subject: Articles
  topic: section
subject: Andrea Giunta
  topic: keywords
subject: artistic avant-gardes
  topic: keywords
subject: simultaneous avant-gardes
  topic: keywords
subject: Latin American art
  topic: keywords
subject: Latin American avant-garde
  topic: keywords
creator: Pablo Berríos
rights: Copyright (c) 2026 Pablo Berríos https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 197
ending page: 222
doi: 10.53382/issn.2452-445X.1037

The Malaise and the Demystification of Joy: The Politics of Humor in Bello Barrio and Quién mató a Gaete by Mauricio Redolés
type: item
description: This article analyzes the albums Bello barrio and ¿Quién mató a Gaete? by Mauricio Redolés, interpreting them as hinge mechanisms of resistance against cultural malaise during both the final years of the dictatorship and the early stages of the democratic transition in Chile. The hypothesis posits that the artist employs irony, humor, and irreverence to demystify the hegemonic narrative of the neoliberal model. This study articulates Adorno’s critique of the culture industry with the transgressive function of laughter as proposed by Bakhtin, Freud, and Bergson. Simultaneously, it reveals how Redolés forges a neighborhood avant-garde through musical hybridity and poetic strategies that expose historical trauma and the subjects excluded from the political consensus, thereby consolidating his role as a subversive anti-singer.
subject: Dossier
  topic: section
subject: Mauricio Redolés
  topic: keywords
subject: irony
  topic: keywords
subject: humor
  topic: keywords
subject: music industry
  topic: keywords
subject: avant-garde
  topic: keywords
creator: Luiz Valenzuela
creator: Rodolfo Plaza
rights: Copyright (c) 2026 Luis Valenzuela, Rodolfo Plaza https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 163
ending page: 193
doi: 10.53382/issn.2452-445X.1036

Redolés Lavanda: Affective Intermediality and Sonic Dissidence in Chilean Counterculture
type: item
description: This article analyzes Redolés Lavanda (2024) as an intermedial work that fuses poetry, music, and archive through an affective and dissident lens. Using an analytical-interpretative approach, it identifies three critical operations: the construction of an insurrectionary sonic memory, an aesthetic of care as cultural resistance, and an expanded popular lyricism. Tracks like “El finao” and “Huye Ana Frank” exemplify a sensory politics that challenges neoliberal emotional regimes. Drawing on the concept of the performative archive, the study argues that Redolés Lavanda reactivates the present from the margins of popular culture, reshaping protest music into a critical artifact that does not represent memory—it turns it into embodied vibration and a space of shared sensitivity.
subject: Dossier
  topic: section
subject: Mauricio Redolés
  topic: keywords
creator: Jorge Cid
rights: Copyright (c) 2026 Jorge Cid https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 133
ending page: 161
doi: 10.53382/issn.2452-445X.1035

A Poetics of Discomforts: The Punk in Mauricio Redolés
type: item
description: The following text analyzes the punk (Molloy) pose in the artistic practice of Mauricio Redolés, which is evident in his self-management, as well as in the aesthetics and themes of his work. First, it examines the texts of Roque Dalton and Carlos Pezoa Véliz, which serve as the foundation of a personal punk genealogy, as well as poems from the anthology El estilo de mis matemáticas (2017) that represent motifs linked to punk (violence, anarchy, chaos, marginality) and a corresponding aesthetic (spelling mistakes, capital letters, typographic play). All of this is done with the aim of reflecting on how this musical style influences his poetics.
subject: Dossier
  topic: section
subject: punk
  topic: keywords
subject: pose
  topic: keywords
subject: Chilean dictatorship
  topic: keywords
subject: marginality
  topic: keywords
subject: El Salvador
  topic: keywords
subject: Exi
  topic: keywords
creator: Belén Pérez Silva
rights: Copyright (c) 2026 María Belén Pérez Silva https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 111
ending page: 131
doi: 10.53382/issn.2452-445X.1034

Avatars of the Self in Algo nuevo anterior (Recuerdos) by Mauricio Redolés: Memory, Irony, and Historical Experience
type: item
description: This article examines the configuration of the “avatars of the self” in Algo nuevo anterior (recuerdos) (2017) by the Chilean poet Mauricio Redolés, focusing on the discursive strategies through which the author constructs a fragmentary and mobile subjectivity, one that is tensioned between individual memory and collective history. Drawing on an approach that brings together memory studies, literary studies, and cultural criticism, the article analyzes how the text deploys a narrative voice that oscillates between generational testimony, chronicle, and ironic self-representation, thus configuring multiple “selves” that engage in dialogue with the Chile of the dictatorship and the post-dictatorship. The article argues that these avatars dismantle the epic, tragic, and historical discourses that have structured narratives about this period, proposing instead a representation of the past in which irony, everyday memories, and the irruption of horror reorganize the narrated historical experience.
subject: Dossier
  topic: section
subject: Memory
  topic: keywords
subject: Chilean Literature
  topic: keywords
subject: Mauricio Redolés
  topic: keywords
subject: Autobiography
  topic: keywords
creator: Cristian Vidal Barría
rights: Copyright (c) 2026 Cristian Vidal Barría https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 83
ending page: 110
doi: 10.53382/issn.2452-445X.1033

The autobiographical space of Mauricio Redolés: autography and heterography in Estar de la poesía o el estilo de mis matemáticas (2000)
type: item
description: This work seeks to analyze some of the rhetorical strategies that allow Mauricio Redolés' poetry to be classified as autobiographical writing. Based on an analysis of his book Estar de la poesía o el estilo de mis matemáticas (2000), it is proposed that Redolés writes an autography, that is, a collection of memories based mainly on the political imprisonment and exile he experienced in his youth. But also, it is argued that he constructs a heterography, given that the discursive identity he projects in his verses is collectivized thanks to the inclusion of different subjects and other’s voices that assume the poetic enunciation.
subject: Dossier
  topic: section
subject: Mauricio Redolés
  topic: keywords
subject: Chilean Poetry
  topic: keywords
subject: Autobiography
  topic: keywords
subject: heterography
  topic: keywords
creator: Francisco Simon
rights: Copyright (c) 2026 Francisco Simon https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 53
ending page: 82
doi: 10.53382/issn.2452-445X.1032

Memory lies Ahead: the Transformation of Language as hope in Mauricio Redolés’s poetic-musical Production
type: item
description: This text argues that in the poetic-musical work of Mauricio Redolés, memory is constructed as a form of resistance that allows the present to be summoned critically as a creative force of meaning. It is proposed that the poet-musician offers a polyphonic, humorous, and hopeful counter-archive that succeeds in using memory to build something that is always new: the imagination of a language that both expresses and opposes the contradictions, fractures, and defeats of Chile under dictatorship and post-dictatorship.
subject: Dossier
  topic: section
subject: Mauricio Redolés
  topic: keywords
subject: Counter-Archive
  topic: keywords
subject: Memory
  topic: keywords
subject: Chilean Poetry
  topic: keywords
creator: Alejandra González Celis
creator: Claudio Guerrero Valenzuela
rights: Copyright (c) 2026 Alejandra González Celis, Claudio Guerrero Valenzuela https://creativecommons.org/licenses/by/4.0
date: 2026-07-31
publication date: 2026-07-31
starting page: 24
ending page: 51
doi: 10.53382/issn.2452-445X.1031

New Horizons of the Revista de Humanidades: Framework and Open Science.
type: item
subject: Presentation
  topic: section
creator: Nicolás Román González
rights: Copyright (c) 2026 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2026-01-29
publication date: 2026-01-29
starting page: 9
ending page: 11
doi: 10.53382/issn.2452-445X.1003

María Gabriela Huidobro Salazar. Mujeres en la historia de Chile.
type: item
subject: Reviews
  topic: section
creator: Patricio Chávez Zúñiga
rights: Copyright (c) 2026 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2026-01-29
publication date: 2026-01-29
starting page: 547
ending page: 556
doi: 10.53382/issn.2452-445X.991

The "Poet only knows while Writing". Interview with Mauricio Redolés
type: item
description: Mauricio Redolés (1953) es poeta y músico –o “poeta entrometido en la música”, como él mismo ha señalado–, y puede considerarse también cronista. Su obra es vasta y está integrada por más de diez discos, alrededor de una decena de libros de poesía, un libro de memorias, un volumen de conversaciones con Patricio Manns y un cancionero.
subject: Documents
  topic: section
creator: Fernanda Moraga
rights: Copyright (c) 2026 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2026-01-29
publication date: 2026-01-29
starting page: 525
ending page: 544
doi: 10.53382/issn.2452-445X.990

The graphic poster and its condition of (post)memory
type: item
description: The general objective of this research is to describe and analyze the production of the graphic poster as a work of memory and postmemory whose double condition, of art and politics, allows it to transcend the temporality of the events that produce it. The specific objective is to analyze the polysemy of the visual and written message as well as the forms of social circulation of the poster “Ninguna calle llevará tu nombre” produced during the chilean dictatorship (1973 – 1990). The methodology is qualitative and considers the study of sources, interviews and the same poster. The main findings show the relevance of the poster, especially in contexts of historical crisis; the spatial impacts in the city where it is installed; its political implications, relative to the ideological groups it represents; and, finally, its social or generational repercussions that reproduce the poster as a work of memory or postmemory.
subject: Articles
  topic: section
subject: Graphic Poster
  topic: keywords
subject: Work of Memory
  topic: keywords
subject: Postmemory
  topic: keywords
subject: Ninguna calle llevará tu nombre
  topic: keywords
subject: Chilean Dictatorship
  topic: keywords
creator: Paula Tesche
creator: José Cabrera
creator: Patricio Octavio Pérez González
rights: Copyright (c) 2026 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2026-01-29
publication date: 2026-01-29
starting page: 491
ending page: 522
doi: 10.53382/issn.2452-445X.989

Posthumanist drifts for alternative research: an approach to resistance during incarceration
type: item
description: Both studies on the living conditions of people deprived of liberty and research on experiences associated with imprisonment reveal the presence of a body that is institutionally violated and studied in a targeted manner. Since prison is not only a place of discipline, but also a stage for negotiating power, I propose a way of approaching acts of resistance during imprisonment based on the premise that the body persists in its being; that it affects and is affected by other entities and material forces. Highlighting the materiality of experiences of deprivation of liberty opens up a field of study that challenges the traditional understanding of the production of knowledge; in this way, I propose a post-qualitative approach that underlines the agency of matter, objects and non-humans in research, choosing to explore resistance from cartography. This work is not only an attempt to escape from an anthropocentric reading, it is also based on the importance of contributing to studies on imprisonment from critical self-reflection on the actions, roles and decisions of the researcher.
subject: Articles
  topic: section
subject: Incarceration
  topic: keywords
subject: Resistence
  topic: keywords
subject: Post-qualitative Research
  topic: keywords
subject: Affects
  topic: keywords
creator: Patricia Arévalo Vargas
rights: Copyright (c) 2026 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2026-01-29
publication date: 2026-01-29
starting page: 465
ending page: 490
doi: 10.53382/issn.2452-445X.988

The 'Art of Existing': Intuition and Singularity. Contributions to the Ethical Dimension of Heideger's Thought in Light of his Metontology
type: item
description: The ‘art of existing’ (Existierkunst) that emerges within the framework of the notion of metontology (Metontologie), as presented by Heidegger in 1928, is the closest we have to an approach to the ethical elements that metontology explicitly announces. In this article, I argue that the notion of ‘intuitive representations’ (anschauliche Vorstellung), which Heidegger develops in his reflection on representational thinking in the mid-1930s – in a text not generally regarded as relevant to his ethical reflections – can enrich our understanding of the ‘art of existing’ by offering a key to deciphering what it truly means ‘to see singularity’, in the sense implied by this art. In this respect, I suggest that the notion of ‘intuitive representations’ emerges as an important element in the task of recovering the mode of dwelling evoked by the name ethos, and that it can therefore contribute to the development of what Heidegger designates with the expression ‘original ethics’ (ursprüngliche Ethik).
subject: Articles
  topic: section
subject: Heidegger
  topic: keywords
subject: Ethics
  topic: keywords
subject: Metontology
  topic: keywords
subject: Art of existing
  topic: keywords
subject: Intuitive Representations
  topic: keywords
creator: Cristina Crichton
rights: Copyright (c) 2026 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2026-01-29
publication date: 2026-01-29
starting page: 401
ending page: 436
doi: 10.53382/issn.2452-445X.986

The Silence and the Agency of Matter
type: item
description: Since the linguistic turn in the social sciences, consideration of the concept of emergence as well as the contextualized analysis of speeches in political theory have been gaining relevance. On the other hand, New Materialism has sought to highlight existing deficiencies of the language perspective when it comes to attending to the possibility of agency exercised by non-human matter. Recent emphasis on language and everything that takes the form of speech has resulted in a disregard for silence as a key element in political action. Change in that regard began to occur with Kennan Ferguson’s innovative article (Silence: A Politics) which goes beyond considering silence as “the absence of sound” and an element of resistance to power. Nonetheless, Ferguson’s vision remained clearly anthropocentric. We believe it is necessary to explore the possibilities of applying Ferguson’s expanded understanding of silence’s political role to non-human and even non-animal realities and manifestations. Such manifestations are affected by human action, and humans’ effect on them is thus a political problem. To address that problem, we argue, the concept of what we call “matter agency” and a new understanding of speech acts are needed.
subject: Articles
  topic: section
subject: Silence
  topic: keywords
subject: Materialism
  topic: keywords
subject: Political Agency
  topic: keywords
subject: Bildackt
  topic: keywords
subject: Republicanism of Nature
  topic: keywords
subject: Bredekamp
  topic: keywords
creator: Gonzalo Bustamante
creator: Teresa Aninat
rights: Copyright (c) 2026 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2026-01-29
publication date: 2026-01-29
starting page: 357
ending page: 399
doi: 10.53382/issn.2452-445X.985

Sistema nervioso by Lina Meruane For a Narrative beyond the Anthropic Principle
type: item
description: In this article we analyse the novel Sistema nervioso by the Chilean writer Lina Meruane. The aim is to trace a reading from the materiality of bodies to the connection with the cosmic imaginary, which opens up the consideration of temporal scales that are not limited to the strictly human. We show, on the one hand, that biopolitical readings find their limits in this novel and, on the other, we arrive at a critique that advocates a beyond the anthropic principle. The paper hypothesises that a reading of illness as a spectre can lead to the consideration of a narrative beyond the anthropic principle. Finally, we outline a conclusion on spectral politics and the possibilities of memory.
subject: Articles
  topic: section
subject: Chilean Narrative
  topic: keywords
subject: Temporalities
  topic: keywords
subject: Anthropic Principle
  topic: keywords
subject: Cosmology
  topic: keywords
subject: Specters
  topic: keywords
subject: Biopoliltics
  topic: keywords
subject: Lina Meruane
  topic: keywords
creator: Laura Soledad Romero
rights: Copyright (c) 2026 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2026-01-29
publication date: 2026-01-29
starting page: 329
ending page: 356
doi: 10.53382/issn.2452-445X.984

Writting Trauma: Testimony and Surrealism in Reinaldo Arena's El palacio de las blanquísimas mofetas
type: item
description: This article aligns with Latin American studies on testimony, aiming to explore the textualization of historical trauma in Reinaldo Arenas’s novel El palacio de las blanquísimas mofetas. Practices adopted (and adapted) from surrealism restore the centrality of the subject who perceives and communicates the past through imaginative exercises, the demystification of documentary work, the rescue of affective matter, and the embodiment of mental events associated with the state of crisis. Thus, it is concluded that all those phenomena typical of the avant-garde, usually excluded from the testimonial dynamics by the critics, are sine qua non resources in the transmission of the traumatic experience.
subject: Articles
  topic: section
subject: Latin American Literature
  topic: keywords
subject: Violence
  topic: keywords
subject: Fi
  topic: keywords
subject: Fiction
  topic: keywords
subject: Avant Garde
  topic: keywords
subject: Reinaldo Arenas
  topic: keywords
creator: Brenda López
rights: Copyright (c) 2026 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2026-01-29
publication date: 2026-01-29
starting page: 295
ending page: 327
doi: 10.53382/issn.2452-445X.983

The Rebellion of Ivan Karamázov. A Reflection of the Human Condition
type: item
description: In the present work, the problem of the human condition is addressed from a philosophical point of view starting from chapter V of The Brothers Karamazov, specifically from the paragraph called “Iván’s Rebellion”, which precedes the well-known story about “The Great inquisitor.” After analyzing three lines of interpretation that have been proposed in relation to this passage, an interpretation of the text will be defended based on the distinction, which until now has not been sufficiently taken into account, between the doctrine of Ivan (if God does not exist, everything is permitted) and Ivan’s rebellion against the world created by God, which leads him to “return his entry to heaven.”
subject: Articles
  topic: section
subject: Dostoievsky
  topic: keywords
subject: Karmázov Brothers
  topic: keywords
subject: Rebellion
  topic: keywords
subject: Religion
  topic: keywords
subject: Iván Karámazov
  topic: keywords
creator: Miguel González Vallejos
rights: Copyright (c) 2026 Revista de humanidades (Santiago. En línea) https://creativecommons.org/licenses/by/4.0
date: 2026-01-29
publication date: 2026-01-29
starting page: 265
ending page: 294
doi: 10.53382/issn.2452-445X.982