No. 54 (2026): JULY-DECEMBER, 2026

Presentation

Revista de Humanidades: Gender Equality and Territorial Equity

Nicolás Román González

9-12
- PDF (Spanish)
- HTML (Spanish)

Dossier

Mauricio Redolés: Poetry, Music, and Memory from the Margins of the Literary Field

Osvaldo Carvajal

15-23
- PDF (Spanish)
- HTML (Spanish)
Memory lies Ahead: the Transformation of Language as hope in Mauricio Redolés’s poetic-musical Production

Alejandra González Celis, Claudio Guerrero Valenzuela

24-51
- PDF (Spanish)
- HTML (Spanish)
The autobiographical space of Mauricio Redolés: autography and heterography in Estar de la poesía o el estilo de mis matemáticas (2000)

Francisco Simon

53-82
- PDF (Spanish)
- HTML (Spanish)
Avatars of the Self in Algo nuevo anterior (Recuerdos) by Mauricio Redolés: Memory, Irony, and Historical Experience

Cristian Vidal Barría

83-110
- PDF (Spanish)
- HTML (Spanish)
A Poetics of Discomforts: The Punk in Mauricio Redolés

Belén Pérez Silva

111-131
- PDF (Spanish)
- HTML (Spanish)
Redolés Lavanda: Affective Intermediality and Sonic Dissidence in Chilean Counterculture

Jorge Cid

133-161
- PDF (Spanish)
- HTML (Spanish)
The Malaise and the Demystification of Joy: The Politics of Humor in Bello Barrio and Quién mató a Gaete by Mauricio Redolés

Luiz Valenzuela, Rodolfo Plaza

163-193
- PDF (Spanish)
- HTML (Spanish)

Articles

On the concept of simultaneous avant-gardes in Andrea Giunta’s texts

Pablo Berríos

197-222
- PDF (Spanish)
- HTML (Spanish)
Familia under Direction of Marta Brunet (1935-1939)

Claudia Darrigrandi

223-262
- PDF (Spanish)
- HTML (Spanish)
Bildungsroman, Failure, and Melancholy in the Rock Novels Antipop by Patricio Jara and La Armada Invencible by Antonio Ortuño

Francesco di Bernardo

263-291
- PDF (Spanish)
- HTML (Spanish)
Beatific and Monastic Images in the Figuration of Ruins in Two Works of José Donoso

Andrés Ferrada Aguilar

293-318
- PDF (Spanish)
- HTML (Spanish)
NOSTALGIA, CINISM AND MELANCOLÍA IN THE VALPARAÍSO NARRATIVE: MANUEL PEÑA MUÑOZ, ÁLVARO BISAMA AND CRISTIÁN GEISSE

Felipe González Alfonso, Ximena Figueroa Flores

319-342
- PDF (Spanish)
- HTML (Spanish)
The Mistralian ethos: dwelling in the school

Jesús Lara Coronado, Santiago Rodríguez, Alejandro Ochoa

343-372
- PDF (Spanish)
- HTML (Spanish)
“Is there a perception of the Other?”. Body and expression in Ortega y Gasset

Sergio González Araneda

373-400
- PDF (Spanish)
- HTML (Spanish)
Justice as a particularist ethical criterion in platonic philosophy

Estiven Valencia Marín

401-424
- PDF (Spanish)
- HTML (Spanish)
The Pro-Emancipation Movement of Chilean Women (MEMCH) and the Exhibition “Woman in National Progress” (1939): Popular Education Strategies and Historical Operations for a Women’s History

Claudia Montero

425-467
- PDF (Spanish)
- HTML (Spanish)
“Notes on Corset Hygiene” (1905) by Ernestina Pérez: Fashion, Science, and Hygienism from the Perspective of a Chilean Woman Physician

Damaris Landeros Tiznado, Andrea Robles Parada, Carolina Campos Chávez

469-505
- PDF (Spanish)
- HTML (Spanish)

Documents

Woman is a Degenerate (1924)

Javiera Hernández Arriagada

509-537
- PDF (Spanish)
- HTML (Spanish)

Reviews

Juan Antonio Belmonte y José Lull. Astronomy of Ancient Egypt. A Cultural Perspective Suiza: Springer, 2023,

José Javier Martínez García

541-546
- PDF (Spanish)
- HTML (Spanish)

Full Issue

Presentation

Revista de Humanidades: Gender Equality and Territorial Equity

Dossier

Mauricio Redolés: Poetry, Music, and Memory from the Margins of the Literary Field

Memory lies Ahead: the Transformation of Language as hope in Mauricio Redolés’s poetic-musical Production

The autobiographical space of Mauricio Redolés: autography and heterography in Estar de la poesía o el estilo de mis matemáticas (2000)

**Avatars of the Self in Algo nuevo anterior (Recuerdos) by Mauricio Redolés: Memory, Irony, and Historical Experience**

A Poetics of Discomforts: The Punk in Mauricio Redolés

Redolés Lavanda: Affective Intermediality and Sonic Dissidence in Chilean Counterculture

The Malaise and the Demystification of Joy: The Politics of Humor in Bello Barrio and Quién mató a Gaete by Mauricio Redolés

Articles

On the concept of simultaneous avant-gardes in Andrea Giunta’s texts

Familia under Direction of Marta Brunet (1935-1939)

Bildungsroman, Failure, and Melancholy in the Rock Novels Antipop by Patricio Jara and La Armada Invencible by Antonio Ortuño

Beatific and Monastic Images in the Figuration of Ruins in Two Works of José Donoso

NOSTALGIA, CINISM AND MELANCOLÍA IN THE VALPARAÍSO NARRATIVE: MANUEL PEÑA MUÑOZ, ÁLVARO BISAMA AND CRISTIÁN GEISSE

The Mistralian ethos: dwelling in the school

“Is there a perception of the Other?”. Body and expression in Ortega y Gasset

Justice as a particularist ethical criterion in platonic philosophy

The Pro-Emancipation Movement of Chilean Women (MEMCH) and the Exhibition “Woman in National Progress” (1939): Popular Education Strategies and Historical Operations for a Women’s History

“Notes on Corset Hygiene” (1905) by Ernestina Pérez: Fashion, Science, and Hygienism from the Perspective of a Chilean Woman Physician

Documents

Woman is a Degenerate (1924)

Reviews

Juan Antonio Belmonte y José Lull. Astronomy of Ancient Egypt. A Cultural Perspective Suiza: Springer, 2023,

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