Keywords
Painting
Anachronism
History
Event Montaje
pintura
anacronismo
historia
acontecimiento
How to Cite
Abstract
The following text is a critical interpretation upon a particular work of art and the way in which it proposes a connection between two Chilean painters situated in different times. This paper proposes Pablo Bucrhard’s irruption, his way of painting, his idea on painting, and of one of his works in particular upon a montage by José Balmes. The present essay deals with the sense in which a work from the past is able to become current, and how a present day work can be trespassed by the past, producing a kind of virtual anachronism.
References
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Couve, Adolfo. Burchard. Santiago de Chile: Editorial Universitaria, 1966. Impreso.
Didi-Huberman, Georges. Ante el Tiempo. Buenos Aires: Adriana Hidalgo, 2004. Impreso.
Dittborn, Eugenio. Balmes, viaje a la pintura. Santiago de Chile: Ocho libros, 1994.
Eliot, T.S. “La tradición y el talento individual.” Ensayos Escogidos. México: Universidad Autónoma de México, 2000. Impreso.
Humeres Solar, Carlos. Burchard. Santiago de Chile: Instituto de Extensión de Artes Plásticas de la Universidad de Chile, 1955. Impreso.
Lihn, Enrique. “Actualidad de Pablo Burchard: Más de medio siglo en el oficio artístico.” Revista de Arte N° 4. Santiago: Universidad de Chile, 1956. Impreso.
Mellado, Justo Pastor. Textos estratégicos. Santiago: Pontificia Universidad Católica de Chile, 2000. Impreso.
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