Abstract
The Man in-communicates himself because of his chronic indifference towards the bodies, because of concerning with the virtual, the no-things; he turns into another nomad, foreigner to his sedentary culture; and all this thanks to a thought that
becomes fundamental rule for his behaviour: the machination. To it the being of the things consists of their planned, calculated, miniaturised being; it is the one which drills the house with cables and pressures the man to exile himself from his body, out of himself (the radical in-communication of the age). He flees thus from the familiar things he trusted in and throws himself into projects which are lost or fly in the devastating means of his life (exile or experiment?).
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Copyright (c) 2022 Revista de humanidades (Santiago. En línea)