Por un cepillo de dientes…: absurdo y fracaso en Jorge Díaz
Palabras clave:
absurdo, rutina, incomunicación, parodia, medios de comunicación masivaResumen
La obra de Jorge Díaz ejemplifica la revolución experimentada por el teatro latinoamericano en la segunda mitad del siglo XX. Absurdo, reflexión metateatral y parodia de lo establecido permiten poner en escena las grandes cuestiones epocales. Así, El cepillo de dientes (1972) plantea los riesgos de la rutina y el fracaso del lenguaje.
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