En busca del significado: el cuerpo, la psiquis y el objeto de arte

Authors

  • June Papineau

Keywords:

body art, action painting, performance art, cyborg, fetish

Abstract

From the fifties through the nineties, corporeal expression in the Fine Arts has undergone profound changes in meaning. This article traces the dominant currents of those changes, from the drip paintings of Pollock, to the conceptual work of Felix Gonzalez Torres to the recent cyborg-inspired work of artists such as Tony Oursler. In so doing, it contributes to elucidating the relation of the body to the art object throughout the Jater half of the twentieth century.

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References

Cottingham, Laura. Seeing Through the Seventies. Gordon & Breach Arts lntemational. 2000.

Eiguer, Alberto. Des Perversions Sexuelles aux Perversions Morales. Editions Odile Jacob. 2001.

Le Breton, David. Contemporary Obsolescence of the Body. www.body-art.net/ Articles/us/DLBtxt.3.html

Lippard, Lucy. The Pink Glass Swan. The New Press, NY, 1995.

Spector, Nancy. Feli,c Gonutlez-Torres. Musée d'Art Modeme de la Ville de Paris. 1996.

Schimmel, Paul. Lcap into the Void, from MOut of Actions". Thames & Hudson. 1998.

Young, Jeremy. Cyberart and cyborgs. Deepsouth, v.6. n.3. (Spring 2000) www.otago.ac.nz/DeepSouth/spring2000/youngone.html

Modest_ W1tness@Second_Millennium. FemaleManO_Meets_OncoMouse•: Feminism and Technoscience. New York and London: Routledge, 1997: 51

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Published

2010-11-22

Issue

Section

Articles

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