Tradition and Totalization: Problems in Literary History
Keywords:
Chielan Literary History, Period, Generation, Totalization, Modes of Historical NarrativesAbstract
This essay looks at the idea of tradition from the specific ways in which Chilean literary history has constructed it. More specifically, its aim is to study this ideological construct from the notion of totalization, understood as a key discursive strategy of historical narratives within the national literary context. Analyzing the works of Ricardo Latcham and Cedomil Goic, as representative of predominant modes of historical narratives, I attempt to open the discussion on tradition beyond its essential imagination, and from the specific material conditions in which it is constructed in discourse.
Downloads
References
Adorno, Theodor y Max Horkheimer. Dialéctica de la ilustración. Traducción de Juan José Sánchez. Madrid: Trotta, 1994.
Cuadros, Ricardo. “El método generacional: origen y desarrollo” (2005) y “El método generacional en Latinoamérica (hasta Cedomil Goic)” (2005). 15/10/2015. http://critica.cl/author/ricardo (consultado en octubre de 2014).
Goic, Cedomil. La novela chilena: los mitos degradados. Santiago: Universitaria, 1968.
Hayot, Eric. “Against periodization; or, On institutional time” New Literary History 42, N° 4 (Autumn 2011): 739-756.
Jakonyte, Loreta y Jurate Sprindyte. “Writing literary history: an overview of debates”. Senoji Lietuvos Literatura, kn. 18 (2004): 81-90.
Latcham, Ricardo. “La historia del criollismo”. Latcham, Ricardo, Ernesto Montenegro y Manuel Vega. El criollismo. Santiago: Universitaria, 1956, 7-56.
Mignolo, Walter. “Aspectos del cambio literario (A propósito de la Historia de la novela hispanoamericana de Cedomil Goic)”. Revista Iberoamericana, vol. XLII, n. 94-97, enero-junio 1976, 31-49.
Ortega y Gasset, José. “La idea de generación”. En torno a Galileo (1933). Obras completas, Tomo V (1933-1941). Madrid: Revista de Occidente, 1964, 29-42.
Perkins, David. Is literary History Possible. Baltimore, USA: John Hopkins U. Press, 1992.
Promis, José. La novela chilena del último siglo. Santiago: La Noria, 1993.
Pulido, Genara. “La historiografía de la literatura en Latinoamérica y el Caribe: desde el positivismo hasta el marxismo y el comparatismo cultural”. Anales de Literatura Hispanoamericana V. 39 (2010): 227-249.
Soufas, Christopher. “Julius Petersen and the construction of the Spanish literary generation”. Bulletin of Spanish Studies, V. 79, N° 2-3 (2002): 247-262.
Trujillo, Patricia. “Periodos y generaciones en la historia de la poesía colombiana del siglo XX”. Literatura: teoría, historia, crítica, n° 5 (2003): 128-146.
White, Hayden. El contenido de la forma. Narrativa, discurso y representación histórica. Traducción de Jorge Vigil Rubio. Barcelona - Buenos Aires: Paidós, 1992, 17-40.
Downloads
Published
Issue
Section
License
Copyright (c) 2022 Revista de humanidades (Santiago. En línea)

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
You are free to:
Share — copy and redistribute the material in any medium or format
The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
-
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
-
NonCommercial — You may not use the material for commercial purposes.
-
NoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
- You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation.
- No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.