Por un cepillo de dientes…: absurdo y fracaso en Jorge Díaz
Keywords:
the absurd, routine, lack of communication, parody, mass mediaAbstract
The work of Jorge Díaz parodies the revolution undergone by Latin American Theater in the second half of the XX Century. The absurd, meta-theatrical reflection and parody on establishment allow an analysis of some of the epoch’s most important matters. Hence, El cepillo de dientes (1972) approaches the risks of routine and the breakdown of language.
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